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theatlantic:

Why ‘Less Is More’ Means So Much to Tracy Chevalier

Taking away concentrates what’s left. Restraint is powerful. In Girl With a Pearl Earring, the two main characters touch just twice—a hand, an ear—but readers tell me those are some of the most erotic moments they’ve read. In my new novel, The Last Runaway, the heroine is a Quaker and says little, in keeping with the tradition of silence at Quaker meetings. Through the drafts I kept cutting her lines, so that now when Honor Bright speaks, you notice.
By using fewer words, I am also giving readers the chance to fill the gaps with their own. “Less is more” encourages collaboration, which is what a book should be—a contract between writer and reader.
Read more.

theatlantic:

Why ‘Less Is More’ Means So Much to Tracy Chevalier

Taking away concentrates what’s left. Restraint is powerful. In Girl With a Pearl Earring, the two main characters touch just twice—a hand, an ear—but readers tell me those are some of the most erotic moments they’ve read. In my new novel, The Last Runaway, the heroine is a Quaker and says little, in keeping with the tradition of silence at Quaker meetings. Through the drafts I kept cutting her lines, so that now when Honor Bright speaks, you notice.

By using fewer words, I am also giving readers the chance to fill the gaps with their own. “Less is more” encourages collaboration, which is what a book should be—a contract between writer and reader.

Read more.

PSA

Fyi, I’m sworn to serve and lovingly harass the writing help community on tumblr. So if you’re creating a writing help blog and would like a promotion/advice/to chat, stop on by. Just don’t sass the mods. 

-Evvy

Creating Teenage Characters

thewritershelpers:

After this ask a couple of days ago I realised our blog was lacking in character development specific to teenagers. So I am going to try and delve into the murky waters of the teenage mind and hopefully help a few of you along the way.

Teenagers can be the most confusing characters to write, especially the younger end of the teenage spectrum. Why is this? Teenagers are just awkward in every sense of the word and are in the difficult stage of being half a child and half a adult. Feeling grown up and mature yet still being treated as a child. This confusion and fight to find oneself creates a difficult character.

Teenagers are essentially ‘Mini-Adults’  in their stature, intelligence and increasing responsibility. However, most teenagers lack maturity in the earlier stages. This is because they are still learning and developing as a person. These bullet points effect their maturity. 

  • Life experience or worldly knowledge.
  • Independence 
  • Responsibility
  • Friends/Social circle

These factors affect how any character would act, regardless of age. However,  teenagers do suffer from a lack of responsibility, by this I mean money, jobs, food. This isn’t a bad thing as ‘let children be children’ but it does affect how they see the world and perhaps allows younger teenagers to see the world more innocently.

So how do teenagers act?

Ask them, observe them. Talk to parents that you know or any family member. Think back to your own teenage years, or if you are a teenager how do you think your behaviour differs to an adult? 

How teenagers talk

Recent YA books and adult fiction involving teenage characters have this new habit to include instant messaging conversations or text speak. Whilst I don’t think this is a bad thing to include in moderation it is important to consider how often people do use ‘text speak’ and to not go overboard. When an entire conversation is written as ‘U lyk that boi’ it starts to get painful to read. 

Another point I want to make is text speak and technology is constantly changing and including these things runs the risk of your book becoming ‘out of date’.

How teenagers dress

This is constantly changing and depends completely on the individual. Some teenagers or adults may identify with a certain style, from my own experience most want. 

Overall it is important to think about and treat teenage characters like you would any other character, their age doesn’t really effect their personality. The most important things you need to consider is the characters background and personal experience their own individuality and positive and negative traits. Develop these characters well and you should have no issues. 

Why do teenagers act this way?

Creating realistic characters (todaysteenwriter)

Writing realistic teenage characters

Writing a young character

Hope this helps!

-S

ENORMOUS list of writing resources

shannahmcgill:

Pretty much every link you could ever need as a writer, compiled on one website.  You’ll need to scroll down a tiny bit to see the links.

Genre Help: Horror

thewritershelpers:

Hey, y’all! How’s that writing coming along?

Today in Genre Help, I’ve compiled a list of links to help further understand and write HORROR (Wiki page definition). (With some appropriate music~ X)

SUB-GENRES

Gothic

Lovecraftian

Noir

Post-Apocalyptic

Erotic

Dark Fantasy

Psychological

Survival

Etc (X/X/X/X/X)

FEARS (in Children)

Common Things Kids Are Afraid Of ~ Things that may not scare adults but are very real to children

Children and Fear ~ Includes stages of life and fears most common in those years (ranges from infants to teenagers)

FEARS (in Adults)

100 Things That Scare Me ~ Not all are life-or-death situations, but a good place to start thinking of ‘the worst case scenario’

Adult Fear (TVTropes) ~ With links and examples

Nighttime Fears and Adulthood ~ Interesting short article of the effects of unresolved childhood fears in adults (namely the dark)

Lingering Fears From Childhood to Adult ~ Another article

SETTING

Abandoned Area (TVTropes)

Top 5 Overused Horror Settings

Horror, Mysteries and Setting: Playing On The Unexpected

Creating An Environment For A Horror Story

Horrific Setting/Scene ~ Almost looks like a writing prompt/English paper assignment, but a good place to look over and get an idea

STORY FORMULA / TIPS

Rule of Scary (TVTropes) ~ With examples at the bottom

Classic Structure of the Horror Novel

13 Tips For Writing Horror Fiction

Generic Horror vs. Innovative Horror

OTHER

The Phobia List

Horror Tropes (TVTropes) ~ Long list of links related to different aspects of horror. Includes setting, characters, expansion on genres, etc.

Nightmare Fuel (TVTropes) ~ Gives examples (and links) of different things people may (or may not) be terrified of, such as mutilation, the paranormal, extreme violence, being hunted, etc.

I personally find this a tricky subject, but I’d recommend tapping into your own personal fears and reflect that into your writing as best you can.

Try also thinking about the way some horror authors write, like Stephen King or Edgar Allan Poe. Read into some if you haven’t.

Comments? Questions? Advice? Feel free to submit!

-J

OneLook Reverse Dictionary

fuckyeahcharacterdevelopment:

This website helps a lot with writing.  If you can’t think of the word you want to use, but you know what it means or explains, this can help.  You describe the concept of the word, and it helps you find the word you’re looking for.

Shannah-style character questionnaire #2

shannahmcgill:

Once again, this will focus on actions rather than traits.  In this one, however, you will provide causes to certain effects rather than effects to causes.  It might take pretty extreme circumstances to get your character to do some of those things, but that doesn’t mean the questions are useless.  It’s good to know your character’s limits.

What would cause your character to…

  • physically attack somebody?
  • insult someone?
  • get drunk?
  • betray a friend?
  • commit murder?
  • have sex?
  • stop eating?
  • stay up all night?
  • cry?
  • run away?
  • get plastic surgery?
  • eat rotten food?
  • tell somebody their life’s story?
  • go naked in public?
  • wear a silly hat?
  • believe an obvious lie?
  • become nervous?
  • crack a lame joke?
  • frame an innocent person for a crime?
  • put a whoopee cushion under a seat?
  • run a marathon?
  • burn money?
  • design a building?
  • change religions?
  • memorize a long passage?
  • take on a new identity?
  • paint a masterpiece?
  • try harder than ever before at something?
  • spit on something?
  • yell?

I try my hand at making a character questionnaire

shannahmcgill:

To differentiate my character questionnaire from the zillions of other character questionnaires, instead of asking about the traits of your character, I’m going to focus on the actions of your character.  The traits should manifest themselves in these actions.

What would your character do and how would they feel if…

  • A friend turned on them?
  • An enemy started being nice?
  • They became permanently crippled?
  • They became president/king?
  • They had to do a stand-up comedy routine?
  • Music they didn’t like was playing?
  • Monsters attacked?
  • A stranger kissed them?
  • A stranger challenged them to a fight?
  • Their house was on fire?
  • They heard a nearby scream?
  • They saw somebody getting mugged?
  • They found a wallet on the ground and nobody was looking?
  • A free game of Laser Tag was offered to them?
  • They were given the choice between being loved and being respected?
  • Somebody started cosplaying as them in-universe?
  • They woke up and the first thing they saw was a spider on their pillow next to them?
  • A baby in a basket was placed at their doorstep?
  • Their house was foreclosed?
  • They woke up one morning with a permanently scarred face?
  • They didn’t get a joke that everybody else thought was funny?
  • They had to choose one of Aristotle’s five senses to lose forever?
  • They read Fifty Shades of Grey? (Ugh)
  • They ran out of clean clothes?
  • An animal started following them around?
  • They had to kill to eat?
  • They were about to die?
  • They saw a hitchhiker?
  • They had to run a marathon?
  • Strangers started complimenting them on their looks?
  • A good idea for a book came to them?
  • They saw a mouse in the place they lived?
  • They had an opportunity to take a vacation into space?

I guess these also count as writing prompts.

The follower of the day is ohhhjenna.

So even though they’ve been on this blog before, I thought I’d contribute my character questions. 

Things to keep in mind when writing dialog

shannahmcgill:

Yesterday, I got rejected by Space and Time.  Soon after the e-mail came in, I took a good, hard look at my short story to see if I could improve anything for the next magazine I submitted it to (Lightspeed Magazine).  It mostly looked good, but one thing I noticed was that when I wrote the dialog between the two main characters, I wasn’t keeping certain things in mind that I should have.  Hopefully, you guys can learn from my mistakes.  Here are some things you should think about while writing dialog.

  • The social status of each speaker
  • The setting/environmental factors
  • The speakers’ ages
  • Words that the speakers tend to say often
  • How smart each speaker is
  • What they want
  • How much they enjoy talking
  • How long they have to talk
  • What they enjoy talking about
  • Who else could be listening
  • How the speakers wish to be seen
  • Topics each speaker wants to avoid
  • How much they trust each other
  • Things only one speaker knows
  • What each wants and is willing to give

With these in mind, your dialog should turn out much more realistic.

The follower of the day is optionalcake.

Maybe this could help with the whole dialog thing?