ZThemes

Shannah-style character questionnaire #2

shannahmcgill:

Once again, this will focus on actions rather than traits.  In this one, however, you will provide causes to certain effects rather than effects to causes.  It might take pretty extreme circumstances to get your character to do some of those things, but that doesn’t mean the questions are useless.  It’s good to know your character’s limits.

What would cause your character to…

  • physically attack somebody?
  • insult someone?
  • get drunk?
  • betray a friend?
  • commit murder?
  • have sex?
  • stop eating?
  • stay up all night?
  • cry?
  • run away?
  • get plastic surgery?
  • eat rotten food?
  • tell somebody their life’s story?
  • go naked in public?
  • wear a silly hat?
  • believe an obvious lie?
  • become nervous?
  • crack a lame joke?
  • frame an innocent person for a crime?
  • put a whoopee cushion under a seat?
  • run a marathon?
  • burn money?
  • design a building?
  • change religions?
  • memorize a long passage?
  • take on a new identity?
  • paint a masterpiece?
  • try harder than ever before at something?
  • spit on something?
  • yell?

I try my hand at making a character questionnaire

shannahmcgill:

To differentiate my character questionnaire from the zillions of other character questionnaires, instead of asking about the traits of your character, I’m going to focus on the actions of your character.  The traits should manifest themselves in these actions.

What would your character do and how would they feel if…

  • A friend turned on them?
  • An enemy started being nice?
  • They became permanently crippled?
  • They became president/king?
  • They had to do a stand-up comedy routine?
  • Music they didn’t like was playing?
  • Monsters attacked?
  • A stranger kissed them?
  • A stranger challenged them to a fight?
  • Their house was on fire?
  • They heard a nearby scream?
  • They saw somebody getting mugged?
  • They found a wallet on the ground and nobody was looking?
  • A free game of Laser Tag was offered to them?
  • They were given the choice between being loved and being respected?
  • Somebody started cosplaying as them in-universe?
  • They woke up and the first thing they saw was a spider on their pillow next to them?
  • A baby in a basket was placed at their doorstep?
  • Their house was foreclosed?
  • They woke up one morning with a permanently scarred face?
  • They didn’t get a joke that everybody else thought was funny?
  • They had to choose one of Aristotle’s five senses to lose forever?
  • They read Fifty Shades of Grey? (Ugh)
  • They ran out of clean clothes?
  • An animal started following them around?
  • They had to kill to eat?
  • They were about to die?
  • They saw a hitchhiker?
  • They had to run a marathon?
  • Strangers started complimenting them on their looks?
  • A good idea for a book came to them?
  • They saw a mouse in the place they lived?
  • They had an opportunity to take a vacation into space?

I guess these also count as writing prompts.

The follower of the day is ohhhjenna.

So even though they’ve been on this blog before, I thought I’d contribute my character questions. 

If you need a character motivation

shannahmcgill:

The character…

  • is in love.  They could want to get closer to their loved one, do things for them, save them from a bad scenario, etc.
  • hates him or herself due to some perceived or actual flaw and is motivated to change that flaw.
  • is transsexual and is motivated to become another gender.
  • is hedonistic.
  • is hungry, thirsty, tired, etc. (this probably won’t work for a longer story)
  • is sick and needs a medicine/cure.
  • wants to return to a person or place they haven’t seen in a while.
  • wants to pull off something grand.
  • wants to be remembered.
  • desires revenge.
  • wants to be a better member of their religion, political group, etc.
  • wishes to right an injustice.
  • is trying to figure out what they want to do with their life
  • wants to strike it rich.
  • wants to win at something.
  • wants to forget something.
  • wants to be as good as or better than somebody else.
  • wants to heal a past wound.
  • lusts for adventure.
  • desires more knowledge.

i think writing in voice is pretty simple. its mostly about consistency. choosing a set of parameters and committing to them absolutely. it can even be a shitty set of parameters and a crappy character. but if you keep hammering away at that voice, people will say, damn thats some pretty good characterization there! i mean… they might be WRONG. but theyll SAY it.




the advantage in being so obstinate with the profile you choose is then any deviation you make will be very noticeable. this is to your advantage, if you can control these deviations with purpose and precision. such deviations can serve as the pillars for character development. they cant happen without the consistency first. and ironically, without the consistency, they DO happen. for the wrong reasons. because you fucked up.


Andrew Hussie

The lack of proper punctuation was intentional on his part.

(via shannahmcgill)

avajae:

Character Development: Exploiting Weaknesses

Just as everyone has a weakness (and most of us, many weaknesses), our characters should struggle with faults as well—whether it’s a debilitating fear of butterflies, an injury that never fully healed, or an inability to trust others, the most realistic of characters struggle with various flaws. Once these weaknesses have been established, it’s our job as the writer to exploit them. (read more

Do you exploit your characters’ weaknesses? What other examples of this technique can you think of?

Things to keep in mind when writing dialog

shannahmcgill:

Yesterday, I got rejected by Space and Time.  Soon after the e-mail came in, I took a good, hard look at my short story to see if I could improve anything for the next magazine I submitted it to (Lightspeed Magazine).  It mostly looked good, but one thing I noticed was that when I wrote the dialog between the two main characters, I wasn’t keeping certain things in mind that I should have.  Hopefully, you guys can learn from my mistakes.  Here are some things you should think about while writing dialog.

  • The social status of each speaker
  • The setting/environmental factors
  • The speakers’ ages
  • Words that the speakers tend to say often
  • How smart each speaker is
  • What they want
  • How much they enjoy talking
  • How long they have to talk
  • What they enjoy talking about
  • Who else could be listening
  • How the speakers wish to be seen
  • Topics each speaker wants to avoid
  • How much they trust each other
  • Things only one speaker knows
  • What each wants and is willing to give

With these in mind, your dialog should turn out much more realistic.

The follower of the day is optionalcake.

Maybe this could help with the whole dialog thing?

Growing as a Writer: Listening

writing-emma:

Most people do not listen with he intent to understand; they listen with the intent to reply. —Stephen R. Covey


The above quote was posted on Online Counseling College, and it made me stop and think for a moment. I believe most writers have a desire to create realistic characters, and most of us do this by learning how people are through interaction (or research, but that’s another post). How many of us really, though, take the time to absorb and look around at the people around us?

Read More

Word List: Alternatives to “Whisper” (Amended)

writeworld:

We have added definitions of each word and an example sentence. Also, we have omitted hinted and insinuated, as we agree with fellow writers’ suggestions that they are not suitable additions to the list.

Instead of whispered, consider:

  • murmured: A soft, indistinct sound made by a person or group of people speaking quietly or at a distance: “Don’t go,” he murmured, grabbing her hand as she turned to leave.
  • mumbled: Say something indistinctly and quietly, making it difficult for others to hear:“Thanks a lot,” he mumbled sarcastically.
  • muttered: Say something in a low or barely audible voice, esp. in dissatisfaction or irritation: She muttered to herself all the way down the hall, reciting all her usual complaints.
  • breathed: Say something in a quiet voice or whisper: “I love you,” she breathed, her eyes full of tears.
  • sighed: Emit a long, deep, audible breath expressing sadness, relief, or tiredness; say something in a low or barely audible voice, esp. in sadness or irritation; to say exasperatedly, or all in one breath: “Right,” he sighed. “Well, just don’t do anything too stupid.”
  • hissed: To utter with a hiss, esp. in instances that include one or more sharp sibilant sounds, as of the letter s“Just stop,” she hissed, her grip on Lisa’s arm tightening.
  • mouthed: To form (a word, sound, etc.) with the lips without actually making an utterance: “The baby’s asleep,” she mouthed, leading her parents back into the living room.
  • uttered: To give audible expression to; speak or pronounce: He uttered a string of barely audible insults.
  • intoned: Say or recite with little rise and fall of the pitch of the voice: “I’m not going anywhere,” she intoned. He could tell she was exhausted by the pitchless quality of her voice.
  • susurrated: (susurration) The indistinct sound of people whispering: The room hummed with the soft susurrus of conversation.
  • purred: To utter a low, continuous, murmuring sound expressive of contentment or pleasure, as a cat does: “I know you want me,” she purred into his neck, trailing kisses across his collar bone.
  • said in an undertone: To speak in a low or subdued tone: “Not now, Jessee,” he said in an undertone.
  • gasped: Say (something) while catching one’s breath, esp. as a result of strong emotion: She could hardly gasp out an apology.
  • said low: (slang) Say something in a quiet voice or whisper: “Plants are more like us than you think,” he said low, as if he spoke to the lilies themselves.
  • said into [someone’s] ear: Say something in a quiet voice or whisper, esp. near the listener’s ear, in such a way that only they may hear: “Meet me in the parlor,” he said into Jane’s ear, and her heart betrayed her with a flutter of excitement.
  • said softly: Say something in a quiet voice or whisper: “I’m here now,” Usula said softly, brushing a lock of hair from her cheek.
  • said under [one’s] breath: (idiom) Say something in a muted voice or whisper: “Over my dead body,” Jacob said under his breath.
  • said in a hushed tone/in hushed tones: (idiom) Say something  in a softened tone, or in a quiet voice or whisper: “Will he make it, Doctor?” Kendraasked in a hushed tone.

Thank you to everyone who reblogged this list to add their opinion. We have, with their permission, included some of these opinions so that you may benefit from their perspective.

memattbe adds: Whispered is the simplest and conveys what you mean by a whisper the best. Maybe murmured would be a good substitute if you just used whispered. Muttered, sighed, hissed, gasped, mouthed, purred, breathed, mumbled all mean things noticeably different than whisper. The said… ones aren’t bad, but one word is better than four.


ankh-the-odd adds:Also, don’t use alternate words for said.

It’s not boring, people’s eyes will just move right over the word said. If you use something else, you draw attention to it, and it messes up the flow of the text completely. You come to the end a bit of dialogue and then think “Woah okay what just happened.” It looks really unprofessional, tbh.


mumblingsage adds: I’ll just add that it’s always good to know a lot of not-quite-alternative words in case you ever think a character whispered, only to find out that they actually were murmuring it. The point is precision.

Or sometimes to avoid repeating words, but in that case you probably shouldn’t have a character performing the same action multiple times in a few paragraphs, or at least from continuing to remind the reader they’re doing it (if you state that a character is whispering, the reader will assume they continue whispering throughout the scene, until told otherwise).

And, um, if you thought your character was whispering and they’re actually susurrating…you might want to get that checked out.


There was another truly wonderful criticism of this list that is quite long, so we are including it in a Read More. Click below to see bobbyisrightthereyaidjit’s critique.

Read More

Growing as a Writer: Listening

writing-emma:

Most people do not listen with the intent to understand; they listen with the intent to reply. —Stephen R. Covey


The above quote was posted on Online Counseling College, and it made me stop and think for a moment. I believe most writers have a desire to create realistic characters, and most of us do this by learning how people are through interaction (or research, but that’s another post). How many of us really, though, take the time to absorb and look around at the people around us?

Read More

He Said, She Said, Who Said What?

jomichaels:

As you can probably tell, today I am talking about that thing we all shy away from - Dialogue.

What makes excellent dialogue? Well, many things do. First and foremost is the genuine accents and use of words. Let’s explore that first, mkay?

Teenagers speak very differently from most adults. Unless your character is a grown woman who is trying very hard to fit in with a group of youngsters, she probably won’t be using the words ‘dude’ or ‘awesome’ very often. Vernacular is also region specific. If a teen is from California, they will speak very differently than a teen from Louisiana.

Time for examples:

Read More